Showing posts with label hymns. Show all posts
Showing posts with label hymns. Show all posts

Monday, October 14, 2013

Circling the Christianity Buffet, Part 3


In Which I Learn I am Not a Baptist

Now we were Baptists, or nearly so. Some of the men in suits were my Dad’s clients, successful businessmen in the petroleum industry. One man managed our grocery store, another the Christian radio station. Another dad sold computers at the local store. A retired public school teacher led the congregational singing, but many of the musicians we heard at church were professionals, some even affiliated with an internationally-renowned arts center.

I was mesmerized when a guest harpist performed one week. My heart melted when the pastor’s son accompanied his own voice at the piano on a visit home from college. The sound guys could have turned off the microphone when one of the deacons played a trumpet solo, but for the most part, Baptist music was crisply timed, properly rehearsed, and perfectly orchestrated. Only once did a soloist break down in the middle of her song and let the soundtrack run on without her.

The morning service, recorded and aired on a local radio station at night, ran on a fixed schedule. There was no open-floor "quiet time" and prayer was not spontaneous. The opening song was always cheerful, the closing song always introspective. Even altar calls were predictable, unless someone actually went forward and we had to sing another verse of the hymn. Personal testimonies and hymn requests were reserved for the evening service.

The Baptists were very sure about some things that we had previously left open. Jesus would return AFTER the Tribulation, and salvation was a permanent deal, unless you didn’t get the genuine article the first time. Baptism had to be by immersion, not for salvation, but as proof of salvation. They knew that God didn’t use "speaking in tongues" anymore, though they still prayed for healing for a long list of sick people on Wednesday nights. And their pastor had to write three sermons a week!

We finally left Bible Baptist because Bill Gothard had convinced my parents, who convinced me, that songs with a backbeat—even songs about Jesus—were tools of Satan. The elders were tolerant of our beliefs for a while, but they came to look with disfavor on a family of nine standing up and filing out of the sanctuary during the soloist’s "ministry of music" week after week, even if we returned to our pew for the sermon! It was a mutual break-up in the end, because the church introduced a "contemporary" early service, with a drum set up front, and my parents could not attend a church that resembled a rock concert.

So it was back to the church search, though we knew our options were very limited by now. Two other homeschooling dads in our town were followers of Bill Gothard (and members of his ATI program). One was the pastor at a Church of Christ, but their doctrine was suspect. The other attended a tiny IFB church close to our house. We started visiting there, and there was nothing offensive about the music if you didn’t care about quality, or the lyrics. The hymnal we used had been edited by John R. Rice, and the songs we sang were almost entirely of one genre (and almost entirely written between the years between 1850 and 1950). Here, there was an uncomfortable divide between the Gothardite homeschoolers (only two families now, but we made up more than half the minors in the church) and the rest of the congregation.

The pastor left shortly after we started attending, so we sat through repetitive interim preachers, guests, substitutes, and prospective young men interviewing for the position. In the end, the other ATI dad was "called" to the pastorate, which was convenient since his family was already living in the parsonage. He was a layman with his own audio-visual business, and it was odd thing all ‘round. My parents were not part of whatever voting process landed him the church, as they were waiting for the new pastor before they officially joined.

The new "pastor" ruled with a heavy hand. We didn’t know he was an abusive man at home—that would come out years later when two of his daughters escaped his house. We only knew he wore a somber suit and tried to make people feel guilty. We sat uncomfortably in those pews for two more years. All the normal people disappeared, leaving only the most rigid fundamentalists—and us. Since the former pianist had gone, I played the Gospel songs for the southern-style worship that emphasized sins, blood, and dying Lambs. Being a novice accompanist, I had some input on the song list, but the male leader had the final say, and his whims determined how many stanzas we sang. He typically announced, " e’ll sing the first, second, and the last!" I once told him I would hate to be a 3rd verse in a Baptist church.

Much as we looked the part in our long, homemade dresses with our KJV Bibles, we weren't really fundamentalists. We were tolerant of dispensationalism, but not sold on it. We watched Billy Graham movies at home (sometimes skipping objectionable songs), we prayed with Presbyterians, we visited gloomy Lutheran Lenten services, we once attended Mass with our Catholic cousins, I read a New Testament paraphrase, and we didn’t think the evangelicals building the huge complex down the road were on the path to hell. Dad even read us a book about glossolalia—stories about people praying in tongues that were supposedly unknown to the speakers but recognized by others within earshot. Stories that directly contradicted the pastor’s sermon series on Acts.

At home, I dug out a songbook from the 70’s with familiar guitar tunes from the days of the Home Fellowship group and the Sunshine Inn. After Sunday dinner, I would play stormily, pounding out my frustration and wounded spirit in haunting minor chords. I sang "Our God Reigns", "God and Man at Table Are Sat Down", "You Are my Hiding Place", and eventually drifted to hymns like "Be Still, My Soul" and "Blessed Quietness".

One day the pastor and the one remaining elder asked my dad not to come back anymore. It was both a relief to me and a deep sadness. Other might talk of their "church home", but we were spiritual refugees again: too "Pentecostal" for the Baptists, too "plain" for the charismatics, and too "Baptist" for our Mennonite friends. Too full of emotion to know what to say, I wished I could pray in tongues.

Thursday, October 25, 2012

The Power of Music


Came across an old piece today. Something I wrote nearly three years ago. Decided to stick it up here as a point of reference. Those who grew up in ATI may relate to bits of my experience.

January 8, 2010
Played the piano for the last hour. First time in a long time that I've sat down and played like that. Now I know why. Nearly dissolved into tears twice. The music took me back to some very emotional places, both good and bad...
Ironing Dad's shirts and listening to praise tapes, with the choral worship songs of the early 80's. (Praise Six, "Come and Sing Praises", Maranatha/Word Music) They are still a part of me now. The songs, not the shirts. 

Growing up attending Church of the Living God with its enthusiastic praise style. Then wondering what exactly rock music was and why it made it us leave that church. We used to sing "and blessed be the Rock" there to much clapping. Shortly before we left Living God, a lady taught us a peppy new Scripture song. "In Him we live, and move, and have our being". I suspected that was the offensive song, but I found Paul referring to it later in the book of Acts. 

The wonder and awe when the grand piano with the inlaid roses was delivered to the OKC Training Center, the stunningly beautiful answer to our prayers. Anything in tune would have suited, but it seemed God had just decided to spoil us. Spending many hours worshiping with my hymnal, entertaining myself, or accompanying old-fashioned hymnsings. The thrill when a man I admired told me I sang like an angel. Also, our frustration when the same man asked one talented youth not to play recent sacred compositions but to stick with the old styles. Aaron more than made up for that limitation.

Learning said "recent compositions" at Springdale Alliance Church on Sundays. "Blessed Be the Lord God Almighty". Looking forward to sermons for the first time in my life. Feeling my faith and understanding grow. Being blessed by Pastor Ken Nesselroade and others.

Graham Kendrick. His songs have been meaningful to me, but more so since I learned that he is British. Somehow singing about "this land" and "the nations" feels more catholic now.

Singing out hymns like we meant it on weekends in Indianapolis. The rich harmony, the grand pianists we had, the giggles over the more "daring" selections. "God of Concrete, God of Steel", anyone? "Wonderful Grace of Jesus", with enough men's voices to carry the parts. The feeling that we in our crisp white shirts were right, and important.

Precious solitary piano worship between classes at UND in Grand Forks. In the open-air meeting hall in Nasuli on Mindanao. Or on the "homemade" piano in my generous neighbors' house. Learning new songs and digging out old ones. 

Coming home from Bay Area Baptist "Church" full of outrage week after week. Digging out [Christian] music that would be offensive there and playing it in rebellion. Like a praise songbook from the 70's, or a recent Catholic music issue stolen for me by my aunt when we attended Mass with her. Figuring out how to play chords from music intended for guitar or cantor. Discovering Bernadette Farrell. Fiercely pounding out songs about dancing, fellowship, grace, or unity. The melancholy "God and Man at Table Are Sat Down" was particularly satisfying. 

Many of my favorite albums (both sacred and instrumental secular) disappearing from the family collection overnight. Some to be repurchased gradually a decade and more later when my parents' religious views of music altered yet again. Being asked to evaluate recordings of instrumental hymns with a critical search for a "backbeat". 

Hours spent at the piano when I was a single living with my parents. The anguish I would pour out on the keyboard many nighths as I asked God the hard questions. He never would explain himself, but He would soothe my soul so that I could sleep. The old Appalachian tunes in minor keys, looking forward to Heaven. Ron Hamilton's "Rejoice in the Lord", and "Not My Will, But Thine, Lord". I was ready to die for Jesus. It would have been easier, actually.

Many a weekend hour at the piano in the basement of Brook Manor. I sought out ancient songs during that period. Like the Shield of St. Patrick. I needed to feel that our faith was much deeper than what I could see. I enjoyed all the music around me, though. My horizons were expanding. "Because He Lives" still reminds me of Derek LoVerde leading staff meeting. Philip Raymond led our handbell choir. Phil Garvin played traditional "Gospel piano". Hinsdale Baptist introduced me to the very latest church songs. Life was hard on us, but at the same time it was too good to be true. And then it seemed like it had ended, and again I was back at my "own" piano.

Visiting my mom's friend when I was a kid and listening to her daughter play the piano. Hannah was close to my age and very talented. She played "Isn't He" and the beauty blew me away. I longed to be able to make sounds like that. Today I realized that I can.

Trying to sing hymns with my mom and siblings to tapes of Alfred B. Smith. Wow. That was rough. But a few of those tunes are favorites today. Some of the old hymns seemed shocking then, and still amaze me. Like Frederick Faber's "There's a Wideness in God's Mercy". Faber traded the Calvinism of his youth for the Roman Catholic Church, becoming a theologian and writing the (ana-)Baptist favorite, "Faith of our Fathers". I used to think "dungeon, fire and sword" was talking about things like the Inquisition, but apparently not. 

***********************
There’s a wideness in God’s mercy,
Like the wideness of the sea;
There’s a kindness in His justice,
Which is more than liberty.

There is no place where earth’s sorrows
Are more felt than up in Heaven;
There is no place where earth’s failings
Have such kindly judgment given.

There is welcome for the sinner,
And more graces for the good;
There is mercy with the Savior;
There is healing in His blood.

There is grace enough for thousands
Of new worlds as great as this;
There is room for fresh creations
In that upper home of bliss.

For the love of God is broader
Than the measure of our mind;
And the heart of the Eternal
Is most wonderfully kind.

. . . 

It is God: His love looks mighty,
But is mightier than it seems;
’Tis our Father: and His fondness
Goes far out beyond our dreams.

But we make His love too narrow
By false limits of our own;
And we magnify His strictness
With a zeal He will not own.

Was there ever kinder shepherd
Half so gentle, half so sweet,
As the Savior who would have us
Come and gather at His feet?
Strange to read this again. I rarely play the piano anymore. I've tossed half of my hymnal collection. I've found new favorite songs and musical styles. I don't "worship", though I still have intense emotional experiences while singing with my favorite vocalists in my car. Perhaps if I'd been taught a gentler Jesus from the beginning, I'd have more patience with religion now?